Bheja Fry 2 Movie Review

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Cast: Vinay Pathak, Kay Kay Menon, Aditi Govitrikar, Amole Gupte, Minissha Lamba

Director: Sagar Ballary

'Bheja Fry 2', directed by Sagar Bellary, is a disappointing and not-so-funny follow-up to the original 2007 comedy that starred Vinay Pathak as a bumbling tax inspector who inadvertently turns the tables on a man intending to make a laughing stock out of him. In the new film, Pathak reprises his role as Bharat Bhushan, but the lovably dimwitted man-child has turned into an annoying oaf this time round.

The action unfolds on a luxury cruise and a marooned island in 'Bheja Fry 2', and Kay Kay Menon stars as the fraudster businessman whose turn it is to be mentally battered by our eccentric protagonist. Yes, Bharat Bhushan is still a fan of the golden oldies and breaks into an evergreen track at the drop of a hat. But you have little patience for his idiosyncracies now, which have gotten stale.

Joining the cast is Amole Gupte who plays a mad photographer on the island, and Suresh Menon who takes the part of Bhushan's colleague, an earnest tax inspector investigating Kay Kay Menon. The laughs are fewer, the jokes less funny, and the set-up entirely familiar. Vinay Pathak succeeds in delivering a few moments of genuine comedy, but for the most part good actors like Kay Kay Menon and Amole Gupte are wasted in this lazily-scripted mess.

I'm going with one-and-a-half out of five for 'Bheja Fry 2'. The original film, although entirely plagiarized, had a charming innocence to complement its outrageous humor. This one is dead dull, and a total waste of two precious hours.

Rating: 1.5 /5

Kareena knows how to keep the rival Khan’s happy

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Kareena Kapoor is one of the rare B-town celebrities who can manage a sound relationship with both the Khans – Shahrukh Khan and Salman Khan simultaneously.

When Shahrukh recently came to Delhi to promote his film Ra.One, Kareena was missing from the event. The reason? Well, she is currently shooting for her upcoming movie Bodyguard with the Dabangg Khan – Salman.

If the buzz is to be believed, Kareena was mighty upset about the fact that she could not join Shahrukh in Delhi. Another buzz is that King Khan is waiting for Kareena Kapoor to join him for the promotions, so that he can officially launch the much awaited item song – Wanna Be My Chammak Challo. But Shahrukh understands that the shooting of Bodyguard cannot be left in between.

Apparently, Kareena has already spoken to Shahrukh about the time management problem and has decided that as soon as the shooting of Bodyguard completes, she will make sure that she remains available for the long tour promotion campaign of Ra.One, planned by Shahrukh.

Confirming the news, Kareena’s spokesperson is quoted as saying: “She’ll be joining Shahrukh soon for the promotions and that will happen as soon as she finishes the schedule of Bodyguard. She’s quite excited with the way the film has turned out.”


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Buddha Hoga Tera Baap (2011): First Look and Mp3 Downloads

Release Date: July 1, 2011

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Language: Hindi

Genre: Action

Director: Poori Jagannath

Star Cast:
Amitabh Bachchan
Raveena Tandon…… Special Appearance
Hema Malini
Minissha Lamba
Sonal Chauhan
Neha Sharma
Sonu Sood
Prakash Raj
Charmi
Mahie Gill
Makrand Deshpande
Shahwar Ali
Rajeev Mehta
Rajeev Varma
Vishwajeet Pradhan
Atul Parchure

Singers: Amitabh Bachchan

Music Director: Shekhar Ravjiani, Vishal Dadlani

Costume: Nahid Shah

Ragini MMS Movie Review

Cast: Kainaaz Motiwala, Raj Kumar Yadav

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Director: Pavan Kriplani

In 'Ragini MMS', a young couple head off to an abandoned bungalow on the outskirts of the city so they can finally have some privacy and do the nasty. Uday (played by 'Love Sex aur Dhokha's Raj Kumar Yadav) has previously arranged to have every corner of the house rigged with video cameras so he can secretly film his steamy encounter with Ragini (played by Kainaz Motivala) and hand over the footage to a shady producer who has promised him a film role in return.

By the time he's able to shoo away her friends who dropped in for a surprise visit, Uday can barely keep it in his pants any longer. The couple retires to the upstairs bedroom and just as things start to get hot and heavy, an angry spirit decides to make its presence felt.

Director Pavan Kriplani relies on familiar tropes to deliver plenty jump-in-your seat moments, but he disregards the genre's most important rule - don't show the ghost; what you don't see is always more scary. But because he does show the ghost - and so many times in fact - much of the thrill of watching this film is diluted.

The movie benefits from an inspired performance by Raj Kumar Yadav as the short-fused, profanity-spouting cad who's desperate to exploit his shy but eager-to-please girlfriend. Borrowing visual references generously from previous hits like 'Paranormal Activity', 'The Blair Witch Project' and so many Ramgopal Varma offerings, 'Ragini MMS' delivers very little in terms of novelty. Still, in constructing a story around sex and scares, the makers of this film adopt Hollywood's foolproof B-movie formula and come up with a watchable but ultimately over-long adult movie.

I'm going with two-and-a-half out of five for Ragini MMS. It's nothing you haven't seen before, but it keeps you engaged for most of its 100-minute running time.


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Rating: 2.5 / 5

Haunted 3D Review

Cast: Mahaakshay Chakraborty, Tia Bajpai, Achint Kaur

Director: Vikram Bhatt

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How do you not laugh when the horror film you’re meant to be watching, unexpectedly turns into a comedy? 'Haunted', directed by Vikram Bhatt in 3D no less, is about a young man (played by Mimoh Chakraborty, now rechristened Mahaakshay) who comes to learn that the sprawling home he’s been put in charge of, has spirits running around inside for the last 80 years or so.

Turns out a horny piano teacher (played by Arif Zakaria) tried to get cozy with an unwilling female student (played by newcomer Tia Bajpai) who killed him in the process. Borrowing a page out of 'The Entity' his spirit then proceeded to return and rape the girl repeatedly, till she killed herself a few days later. Decades on, the spirit of the teacher continues to rape the spirit of that girl in our hero’s home, which explains all that screaming and shrieking. Wait, there’s more: Our hero who by now has oddly fallen for this girl (or her spirit, more precisely!), makes a trip back into the past so he can change the poor girl’s destiny.

If you’re willing to overlook the consistently wooden performances and the ridiculous dialogue in this film, there is fun to be had here. Like that scene after our hero has gone back into the past, when he’s showing the young lady some cool dance moves and some nifty cell-phone tricks. There’s something endearing about characters so cheerfully dumb that they’d sit outside in the dark and amuse themselves when they know there’s a spirit out there hungry to rape one of them. I wanted to scream out aloud: "Woman, you’re about to get raped! And it’s not even like you don’t know it’s going to happen! Get inside!"

To be fair, Bhatt sets up an ominous mood and uses special effects impressively. There are some particularly well-executed scenes in which a dead caretaker character (played by Achint Kaur) wreaks much havoc like leaping out of a forest to attack the protagonists, and walking sideways down a tree to scare the living daylights out of them.

For the most part Bhatt exploits the 3D to make things jump out at you, and while it’s not as much as fun as the last 'Final Destination' movie, there are moments that will make you leap in your seat.

I’m going with two out of five for director Vikram Bhatt’s 'Haunted'. You’ll be laughing hard for hours after you’ve watched this film. Not what you expect from horror, is it?



Rating: 2 / 5

Shaitan Review

Cast: Rajeev Khandelwal, Kalki Koechlin, Shiv Pandit, Kirti Kulhari, Gulshan Deviaya, Neil Bhoopalam

Director: Bejoy Nambiar

Hindi cinema seldom makes films about unapologetically amoral characters. The protagonists in director Bejoy Nambiar's 'Shaitan' are a group of five wayward youngsters who snort cocaine, get drunk, and drive around recklessly through the streets of Mumbai. This is a group of mostly 'poor-little-rich-kids' who're emotionally estranged from their families. When they mow down two innocent people in a rash-driving accident, they must come up with big money to close the case. Going to their parents is not an option; hence one of them, Amy (played by Kalki Koechlin), an NRI with unresolved mommy issues, suggests that her friends fake her kidnapping so they can demand ransom from her dad. Expectedly their plan spirals wildly out of control, and that's when the devil inside each of them decides to rear its ugly head.

First-time-feature director Nambiar tells his story confidently and stylishly, and uses various narrative devices like voice-overs and flashbacks-within-flashbacks to keep things from getting predictable. One of the film's most exciting sequences is a shootout and subsequent chase in a crowded chawl cut to a remixed version of the classic song 'Khoya khoya chand'.

But Nambiar punctures the narrative repeatedly with Kalki's visions of her mother, and those flashbacks serve no purpose but to justify and apologize for Kalki's eccentric personality, which in turn is a disservice to the very bravura of this film. It's hard also to connect with these characters or empathize with their condition when Nambiar seems to be putting all his effort into distracting you with his fancy technical skills.

He has more luck when he shifts his focus to the track involving the tightly wound cop (played by Rajeev Khandelwal) who remains unfalteringly committed to his job, even as his marriage is coming apart. There is a smoldering intensity to those wordless scenes in which Khandelwal watches his wife leave their home, or when he loses his patience with a bureaucratic officer in the divorce court. Khandelwal is easily this film's biggest strength, and even his tiniest moments have something to offer - like that scene in which he kicks a resistant auto-rickshaw driver into action.

The film's other key weapon is its remarkable soundtrack that is credited to as many as five composers. Nambiar uses music cleverly to maximize dramatic impact. Of the central cast, the three boys - Neil Bhoopalam as Zubin, Shiv Pandit as the rakishly charming Dash, and Gulshan Devaiya as KC - get a better shot than the girls at realizing their characters. But the film itself goes south post intermission, with giant loopholes in the plot and repetitive scenes, not to mention that cop-out climax. What could have been a terrific, thrilling film is ultimately an impressive first-time feature. Nevertheless, Nambiar makes a confident debut and delivers a brave, engaging film that shouldn't be missed.

I'm going with three out of five for director Bejoy Nambiar's 'Shaitan'. It isn't as daring as Anurag Kashyap's debut 'Paanch' whose themes it clearly mirrors, but it's got many moments that'll surprise you.

Rating: 3 / 5

Pyaar ka Punchnama Review

Cast: Raayo Bakhirta, Nushrat Bharucha, Sonali Sehgal, Ishitta Sharma, Divyendu Sharma, Kartikeya Tiwari

Director: Luv Ranjan
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Disguised as a light-hearted comedy, 'Pyaar Ka Punchnama' is such a misogynistic film that you can't help but wonder if it was made by someone who's had his heart brutally stamped on by a woman. The plot is centred on three male roommates in Delhi who can't stop moaning about their dull jobs and boring lives. When each of them falls in love, things begin to look up. But director Luv Ranjan offers female leads that are such scheming, insensitive shrews that the boys quickly realize bachelor life wasn't so bad after all.

The film starts off promisingly enough, focusing on the 'bromance' between the three boys. Liquid (played by Divyendu Sharma) is a job-hating nerd, Chaudhary (played by Rayo Bhakirta) is a brooding guitarist who practically lives in his undies, and Rajat (played by Kartikeya Tiwari) is the funny one. They cuss at each other and rib the geeky one endlessly, but there's inherent warmth in the relationship that's reminiscent of 'Dil Chahta Hai'.

Unfortunately it all goes downhill when the women show up. Liquid falls for a manipulative co-worker who exploits his goodness, Chaudhary doesn't know where he stands with his girlfriend who can't seem to shake off her ex, and Rajat makes the fatal mistake of moving in with an attention-seeking harridan.

Aside from one surprisingly insightful outburst by Rajat in the film's second half where he explains why men can never win against the fairer sex, 'Pyaar Ka Punchnama' is neither smart nor particularly funny. It falls into a repetitive rut of petty squabbles between the boys and their partners, and the women are singled out as the villains of the piece. Of course it doesn't help that the three actresses - Nushrat Bharucha, Sonali Sehgal and Ishitta Sharma - don't have one acting bone between them; and to top that, they're so unflatteringly photographed it's hard to understand what our heroes see in them.

'Pyaar Ka Punchnama' is positioned as a comic take on real urban relationships, but the jokes are mostly lame, and the conflicts so exaggerated that it doesn't work on any level. At best, Divyendu Sharma gets a few laughs out of you in the early scenes, but it's not enough to put yourself through the misery of enduring this interminably long film.

I'm going with one-and-a-half out of five for director Luv Ranjan's 'Pyaar Ka Punchnama'. It's about as much fun as walking on broken glass.


Rating: 1.5 / 5

404 Error Review

Cast: Rajvvir Aroraa, Imaad Shah, Nishikant Kamath

Director: Prawaal Raman

'404', directed by Prawaal Raman, is the third film in three weeks that features the spirit of a dead person as a prominent character.

Set on a medical campus, this psychological thriller stars newcomer Rajvvir Aroraa as Abhimanyu, a freshman who stands up against the harsh ragging meted out to younger students at the hands of college seniors. When campus bully Chris (played by Imaad Shah) disregards Abhimanyu's complaints and continues to harass the juniors, our young hero decides to move into Room 404 of the college hostel. This room has remained locked since a student committed suicide inside a few years ago. Rejecting his friends' theories that the room is haunted, and insisting that he doesn't believe in ghosts and spirits, Abhimanyu earns the respect of the visiting psychology professor (played by Nishikant Kamath) who encourages him to falsify these supernatural stories. But as the ragging only intensifies, Abhimanyu finds himself being visited by the spirit of the room's last occupant, leaving him to question what is real and what is imagined.

Ominously shot, but without the standard tropes of bad horror films, '404' unfolds a little too lazily for its own good. Director Prawaal Raman relies heavily on atmospherics and gives us a moody thriller for the most part, till too much dialoguebaazi undoes all the good. There is some nice understated acting too, but the film never succeeds in spooking you out completely because of its overbearing background score.

I'm going with two-and-a-half out of five for director Prawaal Raman's '404'. It's tense and eerily treated; and it almost works.

Rating: 2.5 / 5

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Ready Movie Review

Cast: Salman Khan, Asin, Paresh Rawal, Arya Babbar, Mahesh Manjrekar

Director: Anees Bazmee

Earlier this week while interviewing Asin, I joked to her that it was probably futile on my part to ask about her role in 'Ready'. She said she was relieved I wasn't taking the film too seriously: "It's an Anees Bazmee film, I play the female lead opposite Salman Khan. What else is there to say?" Not much, you reckon as you sit there in your seat watching 'Ready', and waiting for a joke - any joke, even half funny - to draw a laugh out of you.

'Ready' is strictly for die-hard Salman Khan fans (are there any other kind?) who're willing to forgive the fact that this tasteless, senseless film has no plot to speak of, yet lazily unfolds over two hours and thirty minutes. Director Anees Bazmee asks very little of his charming star: flash a few adorable smiles, romance the girl, beat up the bad guys, and don't forget to take your shirt off. It's an indifferent performance from an actor who showed us only last year that he can be riveting if he so much as makes the slightest effort. Remember 'Dabangg'?

The problem with 'Ready' is that the film doesn't even try. It's depressing to think that Salman would use his considerable star wattage to get such a lousy film made, which in turn only tarnishes his own brand. This film's wafer-thin story involves Salman falling in love with Asin, then trying to reconcile her two criminal uncles who have fallen out with each other. You're expected to laugh in a scene where little boys line up on a balcony and pee on the villains; and dialogues like "Main kutta hoon, yeh meri kuttiya hai" are meant to be funny.

To describe this film as paisa vasool or time pass is to confess that you really don't have a life. Because apart from two energetically filmed songs - 'Character dheela hai' and 'Dhinka chika' - this film offers little by way of entertainment. Salman Khan fans, I assure you that reruns of his 'Dus Ka Dum' episodes on Youtube are more likely to make you smile than this agonisingly boring film that wastes the charm of its immensely charismatic star.

I'm going with a generous one-and-a-half out of five for director Anees Bazmee's 'Ready'. Salman Khan deserves better than this. And so do we!

Rating: 2.0/ 5

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Is Ready another Dabangg for Sallu Bhai??

New Delhi, June 7 (IANS) Last year it was his rural action-drama "Dabangg" that broke the dry spell at the box office by earning Rs.48.25 crore in the opening weekend, and this year Salman Khan's comedy "Ready" has brought the much needed respite at the box office by grossing Rs.41 crore over the weekend.

Trade pundits, however, admit that "Ready" is not on par with "Dabangg" in terms of content and appeal and many not enjoy a long innings at the box office, but it is an entertaining film and got a good opening.

"Ready has had a good opening. The occupancy has been 90-95 percent. It is more of a family entertainer. One would not see the kind of action that was in 'Dabangg' and 'Wanted'," Yogesh Raizada, corporate head (Cinemas) of Wave Cinemas told IANS.

"Salman is perfect in the film he has done full justice to his character. Asin, is also good in the film," he added.

In contrast to Rs.18 crore "Dabangg", a small town cop drama shot in Wai in Maharashtra and partly in the UAE, "Ready", shot entirely in Thailand, is expensive, has an urban setting and is said to have cost Rs.50 crore.

Released on 1,900 screens, 'Ready' earned Rs.13.5 crore on the opening day, Rs.12.5 crore on Saturday, and Rs.15 crore on Sunday.

"People are enjoying the film a lot, specially Salman Khan, although the shows have not been back-to-back houseful like 'Dabangg' and 'Wanted'. The audis have witnessed 80 percent occupancy," said a source in PVR.

Shot in the exotic locales of Thailand, the film is about happy-go-lucky guy Prem (Salman). He mistakenly helps a girl Sanjana (Asin Thottumkal) escape from marriage and later falls for her. Paresh Rawal, Arya Babbar and Mahesh Manjeraker also feature in it.

Just like Salman's 2008 hit "Wanted", his "Ready" is performing much better in single screen theatres. Confirming this, Piyush Raizada of Delite Cinemas said their shows are going houseful.

"The response to 'Ready' is terrific. Till now, our shows are going housefull. Everyone is appreciating Salman's acting. It is too early to say whether the film will be as big as 'Dabangg' because today, every day counts because of the number of shows being played today," he said.

At a time when most of the big-budgets, with big names like Akshay Kumar starrer "Patiala House", Abhishek Bachchan's "Game" and "Dum Maaro Dum" failed to stir the box office, Salman's magic worked again as "Ready" has brought smiles on the faces of distributors, cinema hall owners and audiences alike.

"I really enjoyed the film. Salman is really good. The first half is a bit boring but the film picks up after the interval and I couldn't stop laughing till the end," said Madhu Verma, a housewife.

College student Priya Chawla liked it so much that she wants to watch it again.

"I found the movie extremely entertaining from the very first scene. Some of the one liners are hilarious and they could become popular pick-up lines. Salman is superb with his comic timing. I plan to watch it again," she said.

Last year too, when the box office was reeling under flops, Salman bailed it out with "Dabangg" and conquered it not only by earning the maximum profits of reportedly Rs.145 crore, but scooped the maximum awards, including a National Award for the best entertainer of the year.

Ritika Sinha, also a college sudent, said the film lacks focus, but has some really good punch lines.

Trade pundits, however, admitted that "Ready" will not enjoy long stay at the box office like "Dabangg".

"The film doesn't seem to sustain for long. We are looking at the occupancy. If it drops down to 50 percent then we will put another film. However, film is doing really well on single screens," said the source from PVR.

Piyush Raizada said: "Gone are the days when films had to run for many days to be declared a hit. Today, in two to three weeks a film is declared a hit."